Archived entries for Stuff I Watch

Were you traumatized by ‘Growing Up on Broadway’ too?

Growing Up on Broadway

The year was 1991. I was ten years old and in the fifth grade at Hick­ory Ele­men­tary School in the small (back then), pic­turesque town of Bel Air, Mary­land, where I still live today.

It was our last week of school, which as any kid in the Amer­i­can pub­lic school sys­tem knows, is usu­ally filled with mean­ing­less activ­i­ties and bull­shit busy work to pass the time and keep stu­dents from going crazy until the teach­ers could start booz­ing it up and talk­ing shit about us, which is what I always imag­ined they did when the school year was over.

What teachers do in the off season.

On this par­tic­u­lar day, it was announced to all fifth graders that we were going to watch a film–which, as you know, meant slack­ing off, social­iz­ing, and not giv­ing a shit. Really, there is noth­ing more high-five wor­thy than hear­ing that as a kid dur­ing the last few days of ele­men­tary school.

So imag­ine my con­fu­sion when they started sep­a­rat­ing the boys and girls into dif­fer­ent groups and herd­ing us into the cafe­te­ria. Why the cafe­te­ria? I don’t really know, but there was one of those old school Super 8 film pro­jec­tors set up (the kind that makes this famil­iar noise ) and it totally smelled like bad split pea soup in there.

It was clear that some­thing was wrong as soon we took our seats. The usual excited, cheer­ful stu­dent chat­ter that pre­cedes such an event (and was typ­i­cally allowed to con­tinue dur­ing it) was squashed almost imme­di­ately when the lights were dimmed and we were basi­cally told to STFU and lis­ten.  And it always meant seri­ous busi­ness when Ms. Joan, the lunch lady would come to the assist by bang­ing a plas­tic tray against the wall to get our attention.

We were given no other pref­ace about the edu­ca­tional film I would later learn was called  Grow­ing Up on Broad­way  other than that it was an “impor­tant film” with an “impor­tant mes­sage” for this “impor­tant stage” in our young lives. I think the phrase “devel­op­ing bod­ies” was used, but I can’t be sure. Look­ing around me, it was clear nobody else really knew for sure what that vague intro­duc­tory speech meant either, but the con­fu­sion seemed to ease a lit­tle when they also men­tioned that the film we were about to watch starred Lit­tle Orphan Annie.

Hey, I know Annie,” I think as my mind con­jures up images of Aileen Quinn (who totally had a fro, by the way) pranc­ing around in her lit­tle red dress singing “the sun’ll come out Tomor­row…”

Annie's Ginger Fro

What­ever it was I was expect­ing to watch, it cer­tainly wasn’t a film about a bunch of girls sit­ting around talk­ing about their peri­ods. But that’s exactly what Grow­ing Up on Broad­way is–a film about a bunch of girls sit­ting around talk­ing about their periods.

Menstruating Girls

There I am in my Ninja Tur­tles shirt sur­rounded by other girls who may or may not have have been men­stru­at­ing watch­ing a film about men­stru­a­tion and all the won­drous joys therein.

I was curi­ous to know how many oth­ers out there were sub­jected to this mor­ti­fi­ca­tion so I started Googling. I didn’t find much, but I was grate­ful for this IMDB user review by  “mecas­sid” which proves I didn’t hal­lu­ci­nate the whole ordeal:

IMDB Review of Growing Up on  Broadway

I don’t know whether to feel sorry that her school forced kids to watch this atroc­ity twice or out­raged that the boys at my school were prob­a­bly watch­ing sports bloop­ers while we girls suf­fered through an hour of what is essen­tially Annie does the Vagina Mono­logues .

I’m pretty sure this film was sup­posed to have been the cat­a­lyst through which most girls develop what­ever gene it is that trans­forms them into nor­mal, fashion-conscientious women who like to bond over roman­tic come­dies and Life­time tele­vi­sion, but for what­ever rea­son, it had the total oppo­site effect on me.

I went into the cafe­te­ria that day a naive, ten year old girl and emerged…an even more socially awk­ward nerd with with hang-ups about my hoo-hoo .

The ‘Game of Thrones’ Theme As Performed by Floppy Disk Drives

Game of Thrones Theme - Floppy Disk Drive

It was just a mat­ter of time before the Game of Thrones theme got the singing floppy disk drive treat­ment, which is a YouTube trend where groups of these oth­er­wise dis­pos­able old com­puter parts are painstak­ingly cal­i­brated to per­form famil­iar pieces of music, like ” Impe­r­ial March (of the Flop­pies) “ and ” Phan­tom of the Flop­pera .”

The Game of Thrones theme actu­ally sounds pretty damn good ren­dered as a series of elec­tronic burps and buzzes (even though I still main­tain it was made for metal ). Have a listen:

It was cre­ated by MrSolidSnake745 (clearly a video game fan) who has a whole series of singing floppy disk drive videos that are just as awe­some, so you should visit his chan­nel right now and check ‘em out!

Who is John Alvin and what does he have to do with your favorite movies?

John Alvin - Beloved Artist of Iconic Movie Posters

You might not know John Alvin by name, but if you’re a fan of movies like E.T , The Goonies , The Princess Bride , and The Lost Boys , you’re already famil­iar with him.

He’s the artist behind many of the most iconic movie posters of the past 40 years, with a career that spans decades of sig­nif­i­cant con­tri­bu­tions to the film indus­try, includ­ing posters, album cov­ers, and orig­i­nal art. John Alvin once said that his work  “cre­ated the promise of a great experience.”

Through­out his career, Alvin designed orig­i­nal art for over 120 films. You’ll prob­a­bly rec­og­nize his most recent work for films like The Lord of the Rings and Harry Pot­ter , for which he con­tributed orig­i­nal works of art that have a sur­real, hand painted feel to them that instantly invoke nos­tal­gia (a style I wish were still pop­u­lar today).

"The Power and the Promise" by John Alvin

To this day, Alvin’s art­work (the style of which is often described as “Alvi­nesque”) con­tin­ues to inspire gen­er­a­tions of new design­ers and his work remains among the most sought-after and col­lected pieces of film mem­o­ra­bilia (espe­cially the orig­i­nal art he designed for the Star Wars 10th Anniver­sary ).

Sadly, Alvin passed away in 2008, but he leaves behind a legacy of cel­e­brated art­work beloved by film buffs everywhere.

John Alvin Gallery

Here’s a col­lec­tion of my favorite movie posters by John Alvin:

To learn more about John Alvin and see a more com­plete gallery of his works, visit JohnAlvinArt.com .

He-Man, Skeletor & Friends Sing Bohemian Rhapsody

He-Man Bohemian Rhapsody

There’s been a lot of Bohemian Rhap­sody mashups on YouTube, but at least He-Man has the cor­rect hair for it. This clip really needs no other introduction.

ParaNorman is “John Carpenter Meets John Hughes” & Other ‘80s Coolness

ParaNorman

If Para­Nor­man , the upcom­ing stop-motion ani­mated zom­bie film from the same pro­duc­tion com­pany that did Cora­line , didn’t already seem like some­thing you want to watch imme­di­ately, the cre­ators have given us some new bits of cool to chew on:

In a recent press inter­view , writer/director Chris But­ler and co-director Sam Fell said the orig­i­nal idea for Para­Nor­man was “John Car­pen­ter meets John Hughes, and it spi­raled out from there.”

The small New Eng­land town of Blithe Hol­low comes under siege by the undead. Only a mis­un­der­stood local boy, Nor­man Bab­cock, who has the abil­ity to speak with the dead, is able to pre­vent the destruc­tion of his town from a centuries-old witch’s curse. He’ll also have to take on ghosts, witches, zom­bies and worst of all, the moronic grown-ups. But this young ghoul whis­perer may find his para­nor­mal activ­i­ties pushed to their oth­er­worldly lim­its.

The idea for Para­Nor­man came to But­ler over ten years ago, as he was inspired by films and tele­vi­sion shows from his child­hood like The Goonies , Scooby-Doo , Ghost­busters and Pol­ter­geist .

The film, which pays homage to the many won­der­ful, kid-friendly ‘80s films that blended hor­ror with com­ing of age, is set in “a small, working-class East Coast town that’s not quite right and it’s kind of rot­ten at the edges, so it’s not a per­fect ani­mated town. We’ve got peel­ing paint and graf­fiti and trash on the ground,” But­ler said.

I wanted to tell the story of this kid who didn’t fit in, and I wanted it to feel real. Cer­tainly to have a film that is told from the point of view of kids, there has to be hon­esty to it.”

So, if you’re keep­ing score, Para­Nor­man has going for it:

  • John Hughes-style angst
  • A clas­sic John Car­pen­ter ‘80s hor­ror vibe
  • Dreary, driz­zly East Coast small town aesthetic
  • Gor­geous, painstak­ingly hand­crafted stop motion
  • Zombies!

My advice is to run, don’t walk, to see Para­Nor­man when it opens in the­aters August 17. You can watch the offi­cial teaser trailer here:

5 Geeky TV Shows I Wish Were Real

I’ll admit it: some­times I sit around and dream up fan­tasy TV show con­cepts. When you con­sume as much tele­vi­sion as I do, it takes a lot for a show to really grab you. ‘Course, it doesn’t help that I grow more cyn­i­cal and jaded with each pass­ing year, but I digress.

Now, I’m not a pro­ducer or any­thing, and I’ve never pitched a tele­vi­sion show in my life, but I’m pretty sure that if any of the fol­low­ing show ideas were to sud­denly exist tomor­row, it would be an instant success.

Here are five geeky TV show con­cepts that I wish were real:

“Pick­ers” for Gamers

Pickers for Gamers

You know the show Amer­i­can Pick­ers on the His­tory chan­nel? Well this would be  pretty much the same thing except a pair of nerds–the less socially skilled and more awk­ward, the better–would go around to yard sales, liq­ui­da­tions, pri­vate col­lec­tors’ homes, maybe even Craigslist and Ebay in search of rare and valu­able video games and gam­ing col­lectibles. You know, stuff like the Medieval Mad­ness pin­ball table, Air Raid for Atari 2600, or the Vir­tual Boy  (just kid­ding about that last one–nobody really wants one of those things).

On the real Pick­ers, the two hosts nego­ti­ate to the point of high­way rob­bery. This show would be the oppo­site because gamers are sen­ti­men­tal fan­boys who are known to put things like rare, ridonku­lously expen­sive Neo Geo car­tridges ahead of their finan­cial future–which is part of the appeal too, so that we at home can all have a good laugh about it.

Work­ing Titles:

  • Epic Looters
  • Shit Gamers Will Pay Obscene Amounts of Money For

Project Photoshop

Like Project Runaway for Photoshop

Think Project Run­way , except replace the wannabe fash­ion design­ers for wannabe graphic design­ers. Actu­ally, the con­tes­tants don’t even need to be skilled graphic design­ers at all–the show would be fun­nier with ran­domly selected neti­zens with ama­teur Pho­to­shop skills. The con­tes­tants would face off against each other in extreme Pho­to­shop chal­lenges, timed of course, in cat­e­gories such as Meme Gen­er­a­tion , Fat Celebrity Makeovers, Moti­va­tional Posters , Fake Prod­ucts, Movie Poster Mashups , and the other highly cre­ative but ulti­mately use­less art forms that Pho­to­shop has become infa­mous for. It goes with­out say­ing that use of Comic Sans would result in an instant elimination.

In keep­ing with the spirit of the orig­i­nal show, the design­ers could still present their mas­ter­pieces on the runway–except it would be a vir­tual run­way where home view­ers would be able to par­tic­i­pate in the elim­i­na­tions via live social media-based vot­ing. Holy shit this show sounds awesome.

Work­ing Titles:

  • Pho­to­shop­ping with the Tards
  • Clone Stamp for the Win

Hip Service

Lip Service for Hipsters

Remem­ber that show Lip Ser­vice that used to be on MTV in the early ‘90s? If you’re too young (or too old) to remem­ber it, Lip Ser­vice was a game show where the con­tes­tants  divided up into teams and had to lip sync their way through a grab bag of ran­domly selected pop­u­lar songs of the day. The in-house DJ (who was Spin­derella of Salt ‘N Pepa, by the way) would mix the music live. You could get Ice Ice Baby, Vogue and Unskinny Bop back to back, or it could be Come Baby Come , I Touch Myself, and Blame It on the Rain–it was anyone’s guess! The team that lip synced the most con­vinc­ingly is the team that won.

Sim­i­larly, Hip Ser­vice would fol­low the same for­mat except all the con­tes­tants would be hip­sters and all the music would be from obscure bands that you’ve prob­a­bly never heard of, like St. Agnes Charm School, Crotch Mit­tens  and Zebra­pants (and don’t bother Googling those bands because I just made them up). See, hip­sters take their music very seri­ously and there is noth­ing fun­nier than some fuck­ing hip­ster who doesn’t know the words to obscure, shitty music that only hip­sters are sup­posed to like. Isn’t it deli­ciously ironic?

Work­ing Titles:

  • Music Is Too Mainstream
  • I Was Into Lip Sync­ing Before It Was Cool

Win Mark Zuckerberg’s Money

Win Mark Zuckerberg's Money

You’re famil­iar with Win Ben Stein’s Money , right? Well, since Mark Zucker­berg has more money than God, I fig­ure he could stand to give a lit­tle bit of it away. And just like Ben Stein, Mark would be a con­tes­tant on his own show in a sport­ing attempt to pro­tect his assets and ward off com­peti­tors. Here’s the fun part, though: all ques­tions will be related to Facebook’s murky pri­vacy poli­cies, sketchy terms of ser­vice, and barely-there tech­ni­cal sup­port that even The Zuck him­self doesn’t get. So pretty much every­one stands a good chance of winning.

Work­ing Titles:

  • “Like” Mark Zucker­berg On Face­book to Win
  • Win The Winklevii’s Money

The Biggest Loser: Zom­bie Edition

The Biggest Loser - Zombie Edition

I don’t watch The Biggest Loser , mostly because it depresses the hell out of me, but I can tell you for a fact I’d watch the shit out of The Biggest Loser if the show was any­thing like the pic above. I got this idea after hear­ing about Run For Your Lives , a zombie-themed 5K event/obstacle course that is as every bit as bitchin’ as it sounds. Get­ting in shape is much more effec­tive when your very life depends upon it, say, when you’re run­ning from a horde of brain-lusting zom­bies. It doesn’t even mat­ter that zom­bies aren’t real (…yet). I’m run­ning the hell away from any­thing that looks like that. By the way, don’t for­get it’s Zom­bie Aware­ness Month !

Work­ing Title:

  • The Run­ning Dead
  • The Biggest Meal

 Just for fun…

If any of these show con­cepts had any shot in hell of becom­ing a real­ity, which one would you want to watch the most?

Watch Tyrion Slap the Shit Out of Joffrey for 10 Minutes Straight

Joffrey Gets Slapped

This video of Tyrion Lan­nis­ter slap­ping the shit out of Prince Jof­frey is pretty much the great­est Game of Thrones video on YouTube.  It comes cour­tesy of Wes­t­eros Tales , who you should thank for really cap­tur­ing  the spirit of the moment and allow­ing all of us to vic­ar­i­ously live out our Joffrey-slapping fantasies.

On a related note, are you aware that Prince Jof­frey got his start on Lit­tle House on the Prairie ?

’21 Jump Street’ is Surprisingly Not Terrible, Almost Makes Me Pee

21 Jump Street

The orig­i­nal  21 Jump Street was one of those ‘80s shows that seemed really cool at the time but look­ing back on it nowa­days you’re embar­rassed you ever liked it. It’s worth watch­ing for the glimpse at Johnny Depp’s early, pre-superstardom career and per­haps as a fun stroll down Regret­table ‘80s Fash­ion Lane, but not much else.

So when I heard about the new 21 Jump Street movie I wasn’t exactly quiv­er­ing with antic­i­pa­tion in my sparkly leo­tard. If not for the recent over­abun­dance of pseudo-nostalgic reboots of pop­u­lar TV shows from my youth, I might have been a lit­tle more excited about it, but my ini­tial reac­tion was a full-fledged “meh.”

After see­ing the film last night and laugh­ing so hard I almost peed myself (seri­ously), I’m com­pletely rethink­ing that position.

Like the premise of the orig­i­nal show, 21 Jump Street is about a spe­cial unit of young cops who go under­cover to fight youth-related crime. In this case it’s the awesomely-named Schmidt (Jonah Hill) and Jenko (Chan­ning Tatum), two under­achiev­ing cops forced to go back to high school in order to bring down a syn­thetic drug ring, with the fun twist that they used to be ene­mies in their own high school days.

Have you ever seen  The Other Guys ? Well  21 Jump Street  is kind of like that except set in a high school and Ice Cube is there to make it more awe­some and uncomfortable.

Ice Cube in 21 Jump Street

For­go­ing the cheesy teen melo­drama that the orig­i­nal series was known for, the new 21 Jump Street is all com­edy. While Jonah Hill and Chan­ning Tatum are hilar­i­ous together, I think the real source of the com­edy is in the editing.

As fod­der for funny quotes and ani­mated GIFs, 21 Jump Street is a gold­mine.  At the cen­ter of the plot is the fic­tional syn­thetic drug HFS (short for Holy Fuck­ing Shit) which has five phases:

  • Phase 1: The Giggs
  • Phase 2: Trip­ping Major Ballsack
  • Phase 3: Over-Falsity of Confidence
  • Phase 4: Fuck Yeah Motherfucker!
  • Phase 5: Asleepyness

Through­out the movie you’ll see var­i­ous char­ac­ters take the HFS drug and react accord­ingly, while help­ful on-screen title cards announce what phase you’re wit­ness­ing. It hilar­i­ous, trust me.

If you are a diehard fan of the orig­i­nal show you’ll prob­a­bly be dis­ap­pointed to know that the new film is noth­ing like it aside from its premise and the  Johnny Depp / Richard Grieco dou­ble cameo that you’ll have to wait over an hour and a half to see.

At a run­ning time of 109 min­utes, my biggest com­plaint is that the movie is too long for a goof­ball com­edy and toward the end I felt it was get­ting old. There’s a lengthy car chase scene with a run­ning gag where you keep expect­ing an explo­sion, and when it finally does hap­pen you’re just kind of like “meh,” which sums up how I felt about see­ing this film in the first place.

ShezCrafti’s Rating:

                 

6 out of 10 stars.

The ‘Game of Thrones’ Theme Was Made for Metal

Game of Thrones Metal Theme

I’m of the gen­eral opin­ion that heavy metal can improve most theme songs, but I’m absolutely con­vinced that the theme song from HBO’s  Game of Thrones was made for it.

YouTube user  , clearly a tal­ented gui­tarist (with awe­some hair by the way), has just proven it with his metal Game of Thrones cover:

I also highly rec­om­mend check­ing out the rest of 331Erock’s videos, which include metal cov­ers of the Skyrim music, the Dr. Who theme, and my per­sonal favorite–a metal cover of the clas­sic Teenage Mutant Ninja Tur­tles ‘80s toon theme song (with a Ninja Rap sur­prise inside!).

 

The Hit Squad’ to be the World’s First 8-bit Feature Film

The Hit Squad

So, a cou­ple of ridicu­lously attrac­tive guys  (that was for the ben­e­fit of my female read­ers) known cre­atively as the Super Pixel Bros . are in the process of mak­ing the world’s first 8-bit fea­ture film called The Hit Squad .

As if that doesn’t sound rad­i­cal enough, The Hit Squad will be a throw­back to 1980’s com­edy films like Back to the Future, Teen Wolf, Bev­erly Hills Cop– insert your favorite cheese­ball ‘80s movie here–with “Fam­ily Guy style” humor and pix­elly Nin­tendo aes­thet­ics. Basi­cally every­thing I blog about.

The Hit Squad

Here’s the syn­op­sis, which sounds very East­bound & Down meets Spinal Tap :

Roddy Stones and his band ‘The Hit Squad’ were the worlds biggest band in the 80s, now they’re in 2012 they have run out of money, dig­nity and cocaine. They haven’t released a hit record in years. The world has moved on and the cor­po­rate Scourge Stu­dios are going to buy The Hit Squad’s stu­dio unless the band can raise $1 Mil­lion within a week.

To fund for the project, Super Pixel Bros. have turned to crowd­fund­ing plat­form Indiegogo (the hip­ster ver­sion of Kick­Starter) where they are attempt­ing to raise $25,000 by June 3rd.

Here’s creator/director Chris Blun­dell intro­duc­ing the project and  lookin’ all hot while he grubs for money humbly ask­ing for your gen­er­ous dona­tions so that film­mak­ing his­tory can be made:

Pitch­ing in at the $25 level earns you a dig­i­tal down­load of the film, and for $60 you’ll get a phys­i­cal DVD signed by the direc­tor and cast, plus a dig­i­tal sound­track. For just $5 you’ll get a per­son­al­ized “thank you” video on The Pixel Bros.’ web­site and your name on the film’s IMDB page. And if you want to be immor­tal­ized as an 8-bit back­ground char­ac­ter in The Hit Squad , it’ll set you back $200. But that’s a small price to pay for pixel­lated fame.

I’m a lit­tle tapped out right now between the other crowd­funded projects I’m sup­port­ing , but some­time within the next 39 days I def­i­nitely plan to throw some money at this thing.

The Hit Squad

Some Awesome Guy Edited All Three ‘Uncharted’ Games into Movies

Uncharted Movie - Fan Edit

Love  Uncharted but can’t wait for the upcom­ing film that’s tak­ing Hol­ly­wood a painfully long time to make? Here’s some­thing to tide you over:

Red­dit user mor­phi­napg who is totally fuck­ing awe­some, accord­ing to my offi­cial sources, had the good graces to edit all three Uncharted  games into feature-length movies.  He did so by splic­ing together all of the cin­e­matic cut scenes along with the least amount of game­play pos­si­ble to flesh out the plot.  And he put them on YouTube for all to enjoy–including you grumpy non-PS3 own­ers who always <a href=“https://www.google.com/search?sourceid=chrome&ie=UTF-8&q=don” onclick=“javascript:_gaq.push([’_trackEvent’,‘outbound-article’,‘http://www.google.com/search?sourceid=chrome&ie=UTF-8&q=don’]);“t+own+ps3+uncharted#hl=en&sclient=psy-ab&q=why+isn’t+uncharted+on+xbox&oq=why+isn’t+uncharted&aq=0&aqi=g1&aql=&gs_nf=1&gs_l=serp.3.0.0.1020.3364.2.4011.19.12.0.7.7.1.197.904.10j2.19.0.SHHWN-rT7nE&pbx=1&bav=on.2,or.r_gc.r_pw.r_cp.r_qf.,cf.osb&fp=a366a72422fd9740” target=“_blank”> go around bitching how you’ll never get to play these amaz­ing games.

Obvi­ously if you’ve never played the Uncharted games, the videos below con­tain gigantic-ass spoil­ers so pro­ceed at your own risk.

Uncharted: Drake’s Fortune

Run­ning time:  114 min­utes

Uncharted 2: Among Thieves

Run­ning time:  178 min­utes

Uncharted 3: Drake’s Deception

Run­ning time: 196 min­utes

This is way bet­ter than Mark Wahlberg Talks to Trea­sure –the Uncharted film that we almost got .

The Legend of Korra’ — First Impressions of Nick’s New Show

The Legend of Korra

I should pref­ace this review of Nickelodeon’s new ani­mated series  The Leg­end of Korra by telling you that I’m not an Avatar: The Last Air­ben­der fan. Not because I don’t like Avatar , I’ve just hon­estly never seen it. All I know about Avatar is that it’s an incred­i­bly pop­u­lar anime and that M. Night Shya­malan made an incred­i­bly shitty movie about it (which I actu­ally have seen).

Until today, The Leg­end of Korra is a show that wasn’t even on my radar. But I heard a lot of pos­i­tive buzz on Twit­ter about it (espe­cially these tweets from @WallsofJellico , who I’d like to thank for intro­duc­ing me to the series), and since the peo­ple I fol­low on Twit­ter have amaz­ing taste, I just had to check it out for myself.

Here’s the syn­op­sis from IMDB:

Tak­ing place 70 years after the events of “Avatar: The Last Air­ben­der,” this story fol­lows the adven­tures of the Avatar after Aang — a pas­sion­ate, rebel­lious, and fear­less teenage girl from the South­ern Water Tribe named Korra. With three of the four ele­ments under her belt (Earth, Water, and Fire), Korra seeks to mas­ter the final ele­ment, Air. Her quest leads her to the epi­cen­ter of the mod­ern “Avatar” world, Repub­lic City — a metrop­o­lis that is fueled by steam­punk tech­nol­ogy. It is a vir­tual melt­ing pot where ben­ders and non-benders from all nations live and thrive. How­ever, Korra dis­cov­ers that Repub­lic City is plagued by crime as well as a grow­ing anti-bending rev­o­lu­tion that threat­ens to rip it apart. Under the tute­lage of Aang’s son, Ten­zin, Korra begins her air­bend­ing train­ing while deal­ing with the dan­gers at large. (Source: IMDB )

If you have Ver­i­zon Fios, the first two episodes are avail­able on demand, which I devoured eagerly. Here are my first impressions:

I love the art style.

What got my atten­tion right away is the gor­geous ani­ma­tion. Just look at this trailer:

Also: Steam­punk!? Yes please.

Korra is a great character.

She’s feisty, inde­pen­dent and can kick some seri­ous ass. But she has her flaws too: impa­tience, hot­head­ed­ness, and a lack of con­fi­dence in her own abil­i­ties. Plus, she rides around on a ridicu­lously cute dog that looks like a giant polar bear.

The action sequences are crazy awesome.

I found myself really absorbed in the fight scenes, which have unique direc­tion and cam­era effects. Kora users her bend­ing pow­ers in cre­ative ways, like turn­ing the river under the bridge she’s rid­ing over into a gigan­tic ice wall blockade–without looking!

It’s funny!

The show made me laugh out loud on more than one occa­sion, which was sur­pris­ing. Korra’s a pretty snarky girl and she has some of the best lines.

Poten­tial for romance?

In Repub­lic City, Korra meets Bolin and Mako, teen broth­ers who are also ben­ders and hap­pen to be polar oppo­sites when it comes to per­son­al­ity. There was def­i­nitely some chem­istry going on between Korra & Mako, even though Bolin’s the one who hits on her first.

It’s mak­ing me even more excited for TMNT.

Nick­elodeon seems to be on fire lately with some really great shows in their cur­rent lineup, and of course the CGI ani­mated reboot of Teenage Mutant Ninja Tur­tles com­ing later this year. If the qual­ity of  The Leg­end of Korra is any indi­ca­tion of what we can expect  for TMNT, my hype-o-meter is off the charts.

The Leg­end of Korra pre­mieres every Sat­ur­day morn­ing on Nick at 11 AM. I’ll def­i­nitely be tun­ing in for the remain­ing 23 episodes this season.

Downton Abbey vs. The X-Files Theme Music? Yes please.

Downton Abbey vs. The X-Files

If I never ran­domly lis­tened to the  Nerds on the Rocks pod­cast I may never have dis­cov­ered this bril­liant musi­cal mashup that com­bines Down­town Abbey with The X-Files,  two shows that have sur­pris­ingly com­pat­i­ble theme songs.

It was cre­ated by YouTube user Alt­Delete , who says he plans to make a longer ver­sion soon. That’s really my only complaint–it’s too short!

Have a listen:

Maybe in Sea­son 3 some­one from Down­ton will get abducted. Fin­gers crossed it’ll be Lady Mary.

25 Cool Factoids from the First TMNT Film Director’s Commentary

Turtles: Der Film - German TMNT Movie

This past week­end my copy of the Ger­man edi­tion of Teenage Mutant Ninja Tur­tles, or Tur­tles Der Film , as it’s called in Ger­many, finally arrived in the mail.

I had to  order it from Amazon.de  using Google Trans­la­tor every step of the way, and the ship­ping and han­dling actu­ally cost more than the DVD itself (14 EUR vs. 12 EUR).

So why did I drop about $35 USD on this thing? Because it’s the most com­plete ver­sion of the first TMNT film.  There are 2 deleted scenes, an alter­nate end­ing, and the real rea­son I bought it:

It has a director’s commentary–in English!

Here are 25 of the most inter­est­ing things I learned:

#1 — That’s not New York City.

Raphael overlooking NYC.

Well, okay, the above pic­ture actu­ally is.

Although TMNT takes place on the streets and rooftops of New York, the film was only shot on loca­tion in the city for 4 days–a small per­cent­age of the over­all film. Most of the inte­ri­ors and many of the exte­ri­ors are sets that were shot in Wilm­ing­ton, North Car­olina. For instance, April’s news sta­tion is a real local news sta­tion in Wilm­ing­ton, and most of the sewer sys­tem we see through­out the film is actu­ally an elab­o­rate set.

#2 — The man to thank for giv­ing us “dark and gritty” Turtles.

Direc­tor Steve Bar­ron likes the use of dark­ness and shad­ows, which he feels “leaves more to the imag­i­na­tion.”  How­ever, the Golden Har­vest stu­dio execs were wor­ried that the film would be “too dark,” pre­dict­ing that kids would want the movie to be bright and col­or­ful (a’la Secret of the Ooze ). But Steve fought back hard, result­ing in the film’s “dark and gritty” aes­thetic that most of us fans would agree is just per­fect for the Turtles.

#3 — Film­ing was chaos.

Bar­ron often had to rely on his gut when shoot­ing the film because every­thing was com­pletely out of sync due to the com­pli­cated ani­ma­tron­ics, mul­ti­ple actors per Tur­tle, and audio that would have to be dubbed in later. “The dailies were a mess,” he says. “You had to sus­pend your belief and go with your instinct as to how it would all come together.”

#4 — No peeking!

The per­form­ers inside the Tur­tle cos­tumes were only able to see through tiny slits beneath the masks. If you look very closely, you can see the openings–and once in a while you can catch a glimpse of the actors.

The actors inside the Turtle costumes could see through slits beneath the masks.

#5 — “Where do they come up with this stuff?”

Remem­ber when Raphael goes to the movies to see Crit­ters ? It was a joke (as well as a ter­ri­ble movie).  Bar­ron chose  Crit­ters as a snarky in-joke about the Tur­tles them­selves being out­landish creatures.

#6 — “You gotta know what a crum­pet is to under­stand cricket.”

The fight between Raph and Casey Jones in what appears to be Cen­tral Park is actu­ally tak­ing place on a hot, humid night in rural North Car­olina. There were tons of crick­ets, which had to be edited out of the sound mix. And now you can have a good laugh when Casey whips out his cricket bat dur­ing the same scene.

#7 — “It means you’re afraid of enclosed areas.”

Occa­sion­ally Josh Pais, the actor who plays Raphael, would get claus­tro­pho­bic and the crew would have to rip the head off his cos­tume to free him.  And because it was such a del­i­cate process, they weren’t able to do it very quickly. Poor Josh!

Josh Pais as Raphael

#8 — De plane! De plane!

There was a com­mer­cial flight path over the North Car­olina farm where much of the film was shot. Some­times radio sig­nals from the planes fly­ing over­head would inter­fere with the Tur­tles’ facial ani­ma­tron­ics caus­ing them to break out in unpre­dictable, invol­un­tary spams.

#9 — They’re ready for their close-up.

Dur­ing Splinter’s heart­felt talk with Raphael, Bar­ron gets the cam­era very close to make the scene feel more inti­mate.  The Hen­son team was ner­vous that the close-ups would reveal too much of the pup­petry and ani­ma­tron­ics. It’s a tes­ta­ment to the artistry of the Jim Hen­son Crea­ture Shop that the scene works as well as it does.

#10 — There’s a good Tor­toise & The Hare joke in here somewhere…

Bar­ron often had to use more FPS (faster cam­era speeds) while film­ing because the Tur­tles walked really slow from being weighed down by the heavy cos­tumes and the 60 extra pounds of ani­ma­tron­ics that were stored in their shells. It’s espe­cially notice­able in the scene where Raph car­ries April home after get­ting jumped in the sub­way station.

#11 — Who needs diets?

The per­form­ers inside the Tur­tle cos­tumes all lost “at least 20 pounds each” because the suits were so hot. The heat was espe­cially unbear­able dur­ing the farm scenes, which were shot in the humid south­ern state of North Carolina.

The stunt actors inside the Turtle costumes.

#12 — Maybe they should stop eat­ing so much pizza.

The Tur­tles were too big to fit through standard-size man­hole cov­ers, so the ones you see in the film were all cus­tom built.

TMNT Pizza

#13 — Every stu­dio that passed on TMNT should kick them­selves in the face.

Bar­ron said film­ing TMNT was very “touch and go”, par­tic­u­larly dur­ing the first few months when they were film­ing with­out a deal. No Amer­i­can stu­dios wanted any­thing to do with the prop­erty (until New Line even­tu­ally came along) which was con­sid­ered risky.  How­ever, the fran­chise con­tin­ued to steadily gain in pop­u­lar­ity through the car­toons. By the time the first teaser trailer landed, peo­ple were going crazy over it.

#14 — Bad hor­ror movies ruin everything.

Teenage Mutant Ninja Tur­tles  earned over $135 mil­lion at the box office and was the high­est gross­ing inde­pen­dent film–until The Blair Witch Project sur­passed it nine years later.

#15 — There’s no cry­ing in Ninjutsu!

For the scenes were Splin­ter is cry­ing, Steve Bar­ron kept demand­ing more water for the puppet’s eyes, to make the emo­tion more believ­able. But he had to put up a bit of a fight with the Hen­son team to get his way, since the water eats away at the costume’s latex.

Splinter Crying

#16 — “I think he’s actu­ally turn­ing red.”

In the scene where Raph throws his sai at Donatello, the crew used an invis­i­ble wire to keep the weapon pointed in the right direc­tion and ensure it didn’t endan­ger any of the actors.  If you pause the screen and look really closely, you can see it.

#17 — Good thing they got it right.

When April’s apart­ment catches fire, the heat from shoot­ing those scenes was so unbear­able that the Tur­tle actors could only stand to do 1 — 2 takes max before quickly hav­ing to move on.

#18 — No won­der TMNT is such a great film.

Teenage Mutant Ninja Tur­tles  was edi­tor Sally Menke’s first film ever. She went on to become the award-winning edi­tor and col­lab­o­ra­tor for Quentin Tarantino’s films–the only edi­tor with whom Taran­tino ever worked. In an inter­view for his Grind­house film, Taran­tino notes, “I write by myself but when it comes to the edit­ing, I write with Sally. It’s the true epit­ome, I guess, of a col­lab­o­ra­tion because I don’t remem­ber what was her idea, what was my idea. We’re just right there together.”  Sadly, Menke died in 2010.

#19 — Spe­cial effects aren’t everything.

Of TMNT’s low bud­get (which was only $9 mil­lion) and other con­straints, Bar­ron wist­fully notes that “some­times restric­tions are a ben­e­fit because it forces you to focus on char­ac­ter.”  When it comes to film mak­ing, huge bud­gets and lots of spe­cial effects can cause you to “over­boil it.”

#20 — Green body parts were fre­quently sacrificed.

The Hen­son team fre­quently had to touch up the tex­ture and col­or­ing of the Tur­tles’ latex cos­tumes, which con­stantly dete­ri­o­rated.  For instance, there were over tens sets of arms for each Tur­tle and total body part replace­ments were frequent.

Turtle Costume Deteriorated

#21 — Steve Bar­ron has good taste in music.

The Sid Vicious t-shirts Danny wears are a nod to Steve’s musi­cal tastes.  He wanted the film’s sound­track to have more of an indie vibe–punk, new wave, The Clash–but the pro­duc­ers wanted some­thing more com­mer­cial.  I guess that’s why we got MC Ham­mer instead.

#22 — Hey, that set looks familiar.

You know that huge fight sequence at the end of the film where the action wan­ders through the streets, scales build­ings, and over rooftops?  That’s actu­ally tak­ing place on an elab­o­rate New York City set. Guess what movie it was re-purposed from? Big Trou­ble in Lit­tle China.

#23 — Not only does Elias Koteas look like a young Robert DeNiro…

…he also once had a gig writ­ing for  The Won­der Years , which is prob­a­bly why his one-liners and comedic tim­ing as Casey Jones are so great.

Elias Koteas as Casey Jones

#24 — Suck it, Casper!

Soon after Teenage Mutant Ninja Tur­tles was released to unprece­dented suc­cess, Stephen Spiel­berg asked Steve Bar­ron to come and meet him and offered him the oppor­tu­nity to direct Casper: The Friendly Ghost . Steve turned it down.

#25 — A ray of hope for Michael Bay’s TMNT Vision?

Here’s some­thing fans who are con­cerned about pro­ducer Michael Bay’s upcom­ing Ninja Tur­tles film will appreciate:

If he could do it all over again, Steve Bar­ron said he would use a mix of live-action (e.g. peo­ple in Tur­tle cos­tumes) and CGI to ani­mate their move­ment and facial expressions–similar to the method used in Where the Wild Things Are and rumored to be the same method for the upcom­ing TMNT film.

WANTED: Teenage Mutant Ninja Tur­tles — The Director’s Cut

Is that ask­ing too much?

Child of Glass’ & Other Forgotten Disney Gems Now on DVD

Disney Child of Glass on DVD

Some­how it com­pletely escaped my atten­tion that a few months ago Dis­ney started releas­ing many of their older, lesser-known films on DVD as part of the Dis­ney Gen­er­a­tions Col­lec­tion . For Dis­ney fans, the Gen­er­a­tions col­lec­tion is a trea­sure trove of rare or oth­er­wise for­got­ten films–both ani­mated and live-action–that until now have remained sealed away deep within the Dis­ney vault.

Among the many new-to-DVD Dis­ney films in the col­lec­tion is one of my per­sonal favorites: Child of Glass .  Before now, Child of Glass was only avail­able on VHS and it was dif­fi­cult to find a copy that wasn’t being sold for an exor­bi­tant amount.  And even if you were lucky enough to score one–ew, VHS!

For years I’ve held onto an extremely old VHS copy that my grand­mother recorded for me some­time back in the early 80’s, when I was about five or six.  Not only is the qual­ity com­plete shit, but the tape has been played so many times the track­ing is per­ma­nently out of whack.  Need­less to say, I ordered this DVD imme­di­ately. And I’m also think­ing about pick­ing up Beyond Witch Moun­tain and Fuzzbucket .

Sleep­ing Lies the Mur­dered Lass…

Child of Glass is one of the coolest old Dis­ney films, and one of the most charm­ing. It’s a coming-of-age story, a mur­der mys­tery, and light hor­ror film all in one.  There’s plenty of creepy atmos­phere, a big old South­ern man­sion, his­tor­i­cal period cos­tumes, ceme­ter­ies at night, fire, an old aban­doned well–all the mak­ings of an adven­tur­ous ghost story.

Ines - Child of Glass

Synopsis:

Strange forces are at work here…Listen to the call of the spirits…They’ll come to you soon…” It’s a warn­ing 13-year-old Alexan­der Armsworth hears (and ignores) from a mys­ti­cal old hag when he and his fam­ily move into a grand, ante­bel­lum South­ern man­sion. Soon the prophecy comes true, and Alexan­der is knee-deep in a mys­tery involv­ing witch­craft, fright­en­ing visions from the past, a lost for­tune in dia­monds, a crazed care­taker with mur­der on his mind, and vis­i­ta­tions by the ghost of a young girl who has been haunt­ing the man­sion since her mur­der dur­ing the days of the Civil War!

The Softer Side of Kenny Powers: His Top 10 Kindest Moments

There’s noth­ing worse than good TV shows that lose their edge and out­stay their wel­come.  I’m happy that  East­bound and Down  isn’t one of them.

Kenny Powers - The Soft Side

Last night’s episode of  East­bound and Down was most likely the last one. As in, ever .  While I’m sad to see the show end, I do believe there’s such a thing as “too much of a good thing” espe­cially if the “thing” we’re talk­ing about is Kenny Powers–one of the most obnox­ious, ego­tis­ti­cal, sex­ist, racist, class­less douch­bag­gi­est  char­ac­ters on tele­vi­sion. But we love him for it.

As we all mourn the pass­ing of one of the fun­ni­est shows on tele­vi­sion, the inter­webz are rife with Kenny Pow­ers com­pi­la­tions today: his best insults, his fun­ni­est quotes, his biggest dick moves.  But even Kenny Pow­ers has a soft side. It’s not often dur­ing the show that we get to see Kenny being any­thing other than a giant dick, but every now and then he shows us a few ten­der, soul-bearing moments. Would we still root for the guy if he didn’t?

MAJOR SPOILERS AHEAD! You’ve been warned.

And now, a look back at the kinder, softer side of Kenny Fuck­ing Powers:

#10 — Kenny Bestows His Nephews with Kenny Pow­ers Memorabilia

Sea­son 1 — Episode 3

Kenny Powers lets his nephews each have one piece of memorabilia.

JUST ONE!

#9 — Kenny Pro­motes Steve from “Assis­tant” to “Friend”

Sea­son 1 — Episode 6

Kenny Powers promotes Steve from assistant to friend.

Actu­ally, Steve never knows what’s up.

#8 — Kenny Thanks His Fam­ily, Acknowl­edges His Niece’s Existence

Sea­son 1 — Episode 6

Kenny Powers has a heart-to-heart with his baby niece Rose.

It’s OK, Kenny. So did we.

#7 — Kenny Treats April to a Roman­tic Evening in Myr­tle Beach

Sea­son 3 — Episode 1

Kenny treats April to a romantic evening in Myrtle Beach.

Cruisin’ on the Red­neck Riviera.

#6 — Kenny Gives Mex­i­can Kids a Donkey

Sea­son 2 — Episode 6

Kenny gives Mexican kids a donkey.

He’s serious.

#5 — Kenny Con­vinces Steve to Stay with Maria, Waxes Poetic About Love

Sea­son 2 — Episode 7

Kenny waxes poetic about love.

 He then pro­ceeds to grope Maria’s breasts.

#4 — Kenny Says a Lit­tle Prayer for His Fatally O.D. Friend

Sea­son 3 — Episode 4

Kenny says a little prayer for his dead friend.

After snort­ing the rest of his drugs and wip­ing away all traces of his being there, of course.

#3 — Kenny Decides Not to Send His Baby Down the River

Sea­son 3– Episode 2

Kenny decides not to send his baby down the river.

Poor Toby.

#2 — Kenny Blesses Steve’s Deci­sion to Retire, Unborn Child

Sea­son 3 — Episode 8

Kenny blesses Steve's decision to retire and unborn child.

Fol­lowed by an extremely awk­ward group hug.

#1 — Kenny Quits Base­ball and Gives Up his Life for April

Sea­son 3 — Episode 8

Kenny gives up baseball for April and Toby.

 And with that hair, he also com­pletely quit dignity.

American Reunion’ a Hilarious & Fitting End to the American Pie Franchise

American Reunion Review

Note: for max­i­mum preser­va­tion of lulz, this is a spoiler-free review!

Being a grad­u­ate of the Class of ’99 and hav­ing grown up along with the Amer­i­can Pie gang, it was inevitable that I’d see Amer­i­can Reunion , the fourth and final film in the Pie fran­chise that takes place 13 years after the original.

There’s a rea­son why these films are con­sid­ered by many to be clas­sics (with the excep­tion of those hor­ri­ble straight-to-video cheap spin-offs ). For those of us squarely in their tar­get demo­graphic, the Amer­i­can Pie films are like mile­stones by which we can mea­sure our own lives:

  • 1999: Amer­i­can Pie came out. I had just grad­u­ated high school. Prom (and dis­pos­able boyfriend) was behind me. My friends were the most impor­tant thing to me in the world.
  • 2001: Amer­i­can Pie 2 came out. I was in col­lege, had started my first “real” job, and was try­ing to fig­ure out what to do with my life in between par­ty­ing and try­ing to hold on to my youth.
  • 2003: Amer­i­can Wed­ding came out. I was in love, engaged, and look­ing for­ward to my own wed­ding. (It didn’t end well, by the way, but that’s a whole ‘nother story.)

So last night it was with great inter­est and pangs of nos­tal­gia that I went to the the­ater to see Amer­i­can Reunion .

From the moment I heard the first lines of R. Kelly’s glo­ri­ously cheesy sex anthem Bump N’ Grind –the film’s open­ing song–I knew I was in for some seri­ous laughs. Actu­ally, there were very few moments dur­ing the whole film when I–along with every­one else at the theater–wasn’t in hys­ter­ics. Like the pre­vi­ous films, Amer­i­can Reunion opens with a spec­tac­u­larly raunchy gag that made me glad I decided to skip the soda.

Amer­i­can Pie fans will be happy to know that every­one from the entire orig­i­nal cast has reunited for this film–and I mean every­one . Just when you’re think­ing “Hey, where’s so-and-so?” that char­ac­ter shows up; usu­ally to great comedic effect.

Thir­teen years later, we learn Jim (Jason Biggs) and Michelle (Alyson Han­ni­gan) are still mar­ried but now with a tod­dler and fiz­zling sex life, Kevin (Thomas Ian Nicholas) is an archi­tect and hap­pily mar­ried, Chris/“Oz” (Chris Klein) is a famous sports­caster and TV per­son­al­ity with a huge L.A. man­sion and a tro­phy girl­friend, and Sti­fler (Seann William Scott) is a temp at a large invest­ment firm.  Oh, and  Finch (Eddie Kaye Thomas)? He’s essen­tially “the most inter­est­ing man in the world” to have ever grad­u­ated East Great Falls High , but that’s all I will tell you with­out spoil­ing anything.

American Reunion: The gang's all here.

Every­thing that made you fall in love with these char­ac­ters in the first place is present and accounted for:  Jim’s awk­ward con­ver­sa­tions with his Dad, Finch’s too-cool-for-school atti­tude, Kevin’s wist­ful inter­ludes with Vicky, Oz and Heather’s elu­sive romance, and Stifler’s oblig­a­tory obnoxiousness.

Although the premise is a lit­tle flimsy (a 13-year high school reunion?), you’ll be laugh­ing so hard it won’t even mat­ter.  You know those come­dies that blow their wad early by includ­ing all the fun­ni­est bits in the trailer ? I can assure you that’s not the case here. It’s not just a film full of sex jokes or one-liners, either (even though there’s plenty of that too).  Some of the gags are pretty elab­o­rate and the pay­offs are huge. (Again, so glad I opted not to drink anything.)

But Amer­i­can Reunion is not with­out a few seri­ous moments too.  The film is anchored by the rela­tion­ship between Jim and Michelle and Stifler’s grow­ing fear and ulti­mately real­iza­tion that his best days are behind him.  The char­ac­ters are han­dled with care and I felt each of their sto­ries was given a sat­is­fy­ing con­clu­sion. Clearly a lot of care and atten­tion to detail went into this movie, and it def­i­nitely shows in the cast performances.

Oh! I also wanted to be sure to men­tion the sound­track, which I found to be an enjoy­able blend of old and new. There’s cur­rent big hits ( You Make Me Feel, Sexy and I Know It, Every­body Talks… ) as well as songs that took me right back to high school ( Wannabe, My Own Worst Enemy, Clos­ing Time… ).  Fans will also rec­og­nize a few songs from the pre­vi­ous films that reprise their role as theme music for the char­ac­ters. It’s also worth men­tion­ing how mas­sive the Amer­i­can Reunion sound­track is–60 songs! But don’t expect to be able to pur­chase a com­plete one  yet.

In this dis­ap­point­ing era of Amer­i­can cin­ema where sequels and remakes are the norm and our child­hoods are con­stantly being plun­dered , I found myself really sur­prised by Amer­i­can Reunion .  Now please don’t make any more Amer­i­can Pie films so we can end this thing on a high note!

ShezCrafti’s Rating:

9 out of 10 stars.

                 

Reggie Watts Re-Scores Fantasy Film ‘Legend’ and it’s Amazing

Legend Re-Scored by Reggie Watts

SXSW came and went last month, so I’m unfash­ion­ably late post­ing about this , but it is no less amazing:

For fans every­where, Reg­gie cre­ated an orig­i­nal sound­track for the Rid­ley Scott cult clas­sic “Leg­end,” now avail­able for free down­load. The 1:31 long sound­track was cre­ated on the fly by Reg­gie using his voice, loop­ing devices, three syn­the­siz­ers and var­i­ous effects to make a strangely beau­ti­ful and humor­ous orig­i­nal score as the film silently rolled at The Roxie dur­ing SF Sketch­fest. The sound­track made its world pre­miere at SXSW to a sold out house.

(via Brook­lyn Vegan )

For those unfa­mil­iar with Reg­gie Watts ’ work, I should prob­a­bly explain what this is all about.

Reggie Watts Reg­gie is a come­dian, beat­boxer and live per­for­mance artist known for his incred­i­bly unique and unpre­dictable style. He makes songs up on the fly, and per­forms using only his own voice, occa­sional instru­ments, and a loop­ing machine. And yeah, he’s pretty weird. But awe­somely so!

His Leg­end score is meant to serve as replace­ment sound­track for the entire movie. That means turn­ing the sound all the way down (sorry Tan­ger­ine Dream –or Jerry Gold­smith , if you pre­fer the Director’s Cut) while you watch the film and lis­ten­ing to Reggie’s inter­pre­ta­tion instead.  And if you’ve never seen Leg­end , well then you should just be ashamed of yourself.

Reggie’s score is dark, syn­thy and a lit­tle crazy, but at other times beau­ti­ful and ethe­real. It’s actu­ally quite funny in a lot of parts as well as Watts lends his own voice to the char­ac­ters and makes up humor­ous dia­logue as he goes along. It really must be seen with the film to be appreciated.

All right, I’ll shut up now and let you get to the good part:

Down­load it Free!

You can down­load Reg­gie Watts’ entire Leg­end score for free right here –all you need is a valid email address. The MP3 down­load link will be emailed to you.

 

Jesus is Don Draper’s Favorite Word

Don Draper Says Jesus A lot

If you’ve watched a lot of Mad Men , you may have noticed that Don Draper uses the word “Jesus” like a painter uses oils–he ele­vates drop­ping J-bombs to the level of art.

From this sin­gle word, Don Draper ably expresses annoy­ance, shock, com­pre­hen­sion, anger, suave­ness, smug­ness, speech­less­ness, mock­ery, sym­pa­thy, aston­ish­ment, impa­tience, amuse­ment, dis­be­lief, sor­row, com­fort, self-righteousness, con­de­scen­sion, and resignation.

Watch this “Come to Jesus” super­cut and join me in my appre­ci­a­tion for Jon Hamm’s deft manip­u­la­tion of the Lord’s name:

Fun Bonus Game

See if you can match each of the above words to the clips in the video!

What ‘Game of Thrones’ Looks Like in 16 Bits

From the “I wish this were a real game” department:

16bit Game of Thrones

That mag­nif­i­cent bas­tard  Doc­tor Octoroc , the video game artist and musi­cian who gave the inter­webz such gems as the 8-bit Saved by the Bell game and 8-Bit Break­ing Bad  (among lots of other assorted kick­assery) has done it again with 16-bit Game of Thrones .

The hilar­i­ous YouTube video, which was another mashup orig­i­nally cre­ated for Col­lege Humor, man­ages to cap­ture the 16-bit Super Nin­tendo aes­thetic perfectly:

Beware of MAJOR SPOILERS though if you haven’t yet seen the show or read the books!